![]() ![]() Instead, “the author often encoded in the American Indian caricature. Native Americans were frequently a part of white nineteenth century fiction and rhetoric.Īccording to Adriana Rissetto, white writers rarely depicted Native Americans realistically Why Apess Uses Romantic Ideas in His Text. How Apess Uses Romantic Ideas in His Text. To Christopher O’Brien, who was eager to hear about this project, and always was there to lend a listening ear. To my parents, David and Kathleen, who believed in me before anyone else did. And toĪshley Hemm, who had some of the best suggestions about post-colonial theory. Thank you to Elizabeth Lynch for the editorial advice. Without you, Rachael, I am not certain this project ![]() I would also like to thank Rachael Smith, who gave me the emotional pick-me-ups I needed. Nancy Easterlin for herĮncouragement and discussions of all things Rhode Island, including King Philip and Hazlett provided some of theĮarly inspiration for this project. ![]() John Hazlett, Peter Schock, and Anneīoyd-Rioux for their support during this process. No one gets through graduate school alone, despite what it might feel like. In partial fulfillment of the requirements for the degree ofnull This Thesis has been accepted for inclusion in University of New Orlauthorized administrator of For more information, please contaeans Theses and Dissertations by an ct Rhetoric and Appropriation in William Apess’s A Son of the Forest For other holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the uses you need to obtain permission from the rights. You are free to use this Thesis been brought to you by with s in any way that is permitted by the copyrightĪnd related rights legislation that applies to your use. It hapermission from the rights-holder(s). This Thesis is protected by copyright and/or related rights. Hilden, Courtney, "Romantic Rhetoric and Appropriation in William Apess’University of New Orleans Theses and Dissertations. Recommended Citation Recommended Citation Part of the Literature in English, North America, Ethnic and Cultural Minority Commons University of New Orleans, this and additional works at: scholarworks.uno/td Summer 8-13- Romantic Rhetoric and Appropriation in William Apess’s A Son of Romantic Rhetoric and Appropriation in William Apess’s A Son of the Forest the Forest Placing Apess' activism on behalf of Native American people in the context of the era's rising tide of abolitionism, Gura argues that this founding figure of Native intellectual history deserves greater recognition in the pantheon of antebellum reformers.įollowing Apess from his early life through the development of his political radicalism to his tragic early death and enduring legacy, this much-needed biography showcases the accomplishments of an extraordinary Native American.University of New Orleans University of New Orleans of New Orleans Theses and Dissertations Dissertations and Theses His1829 autobiography, A Son of the Forest, stands as the first published by a Native American writer. Gura offers the first book-length chronicle of Apess' fascinating and consequential life.Īfter an impoverished childhood marked by abuse, Apess soldiered with American troops during the War of 1812, converted to Methodism, and rose to fame as a lecturer who lifted a powerful voice of protest against the plight of Native Americans in New England and beyond. The Pequot Indian intellectual, author, and itinerant preacher William Apess was one the most important voices of the nineteenth century.
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